The reason for this title, besides the obvious geographical reference, is the concept of passage, and the oscillation between waning energy and fluidity in uninterrupted movement of conscious and unconscious thought. The wake from the vapporetti, the movement of the gondolas breaking the water's stillness, unrelenting, moving forward with surfaces changed, but the water remains unchallenged.
The canal contains all penetration, and remains a way to and from somewhere. Coming or going, the surface is thrust with undulating forms. This is where the inspiration for my series here comes from.
But this is more than living in Venice, and observing its functionality. The work demands a steadfast concentration on forms that do not fluctuate, that are statuesque, in that they impose upon the viewer, requiring concentrated evaluation. In the video barrage of contemporary culture, this act of concentrated viewing may be unfamiliar. There are no buildings to give it reference, such as the statues on cathedrals or cherubs on ceilingwork.
This work is about movement, but does not move. It is ceremonious as a meditative offering, discovering form and content, allowing the undulations of ebbs and flows to be still for sustained viewing.
http://www.thefreedictionary.com/ebb
http://www.thefreedictionary.com/flow
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