| This is my contribution to the Seeking Kali exhibition. Oil Pastel - 16 x 24 inches - August 2010. | ||||
| Seeking Kali |
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Showing posts with label Exhibitions. Show all posts
Showing posts with label Exhibitions. Show all posts
Saturday, October 16, 2010
Seeking Kali
Saturday, July 03, 2010
Signs of our times
Here's another adventure - sharing observations, this time signs. A group exhibition of international submissions will take place September 14-19, 2010 at Mobius in Boston, Massachusetts, USA. Curated by Jane Hsiaoching Wang.
The call for contributions can be found here: http://mobius-signsofourtimes.blogspot.com/p/signs-of-our-times-call-for-works.html
Submit your Signs!
"INTENT:
Have you ever been walking, bicycling, driving, sitting in a bus or train and suddenly seen a sign which made you do a double take? or seen a sign whose meaning escaped you or initially gave you pause and then perhaps you comprehended its meaning or didn't? or a sign which made no sense at all? or a sign that just made you laugh or cry hysterically for some unfathomable reason?
This call is about those puzzling/surreal/emotionally evocative signs of our times. "Of our times" is defined as either drawing from your own personal experience/history or the collective's present, near past or imagined future."
Here's my contribution: http://mobius-signsofourtimes.blogspot.com/2010/07/debora-alanna-7.html
The call for contributions can be found here: http://mobius-signsofourtimes.blogspot.com/p/signs-of-our-times-call-for-works.html
Submit your Signs!
"INTENT:
Have you ever been walking, bicycling, driving, sitting in a bus or train and suddenly seen a sign which made you do a double take? or seen a sign whose meaning escaped you or initially gave you pause and then perhaps you comprehended its meaning or didn't? or a sign which made no sense at all? or a sign that just made you laugh or cry hysterically for some unfathomable reason?
This call is about those puzzling/surreal/emotionally evocative signs of our times. "Of our times" is defined as either drawing from your own personal experience/history or the collective's present, near past or imagined future."
Here's my contribution: http://mobius-signsofourtimes.blogspot.com/2010/07/debora-alanna-7.html
Saturday, January 30, 2010
"A Book About Death"
http://umlivrosobreamorte.blogspot.com/2010/01/debora-alanna-355.html#links
http://www.mube.art.br/?Expo&area=futuro&id=42
http://www.mube.art.br/?Expo&area=futuro&id=42
These two works have been reduced to 4" x 6" postcards and mailed to
"A Book About Death" for the exhibition at the MUBE in Brazil
Museu Brasileiro da Escultura
Av. Europa, 218São Paulo - Brasil
This contribution appears on their blog:
http://umlivrosobreamorte.blogspot.com/2010/01/debora-alanna-355.html#links
http://umlivrosobreamorte.blogspot.com/
http://www.davismuseum.com/
http://umlivrosobreamorte.blogspot.com/
I was informed of this opportunity through the
Davis Museum, Barcelona, Spain.
Davis Lisboa
http://www.davislisboa.comhttp://www.davismuseum.com/
Tuesday, January 26, 2010
Debora Alanna - Saatchi Gallery - Online
http://www.saatchi-gallery.co.uk/yourgallery/artist_profile/Debora+Alanna/117918.htm
Here's my profile at the Saatchi online gallery. This presents an overview of my work to date. The pictures are not entirely in sequential order. The descriptions of the work may enable a further glimpse into my work practice.
Here's my profile at the Saatchi online gallery. This presents an overview of my work to date. The pictures are not entirely in sequential order. The descriptions of the work may enable a further glimpse into my work practice.
Wednesday, October 28, 2009
Art and Soul - Installation at group show
This work was produced for the 'Art and Soul' exhibition, held 17 October 2009 at the Victoria Conservatory of Music. I have called this type of work Photo-Poetics as I have combined my poetry with photographs I have taken.
'Art and Soul' was part of Homelessness Action Week in Vcitoria, BC, billed as "a special evening featuring the art and music of people who have experience homelessness."
'Art and Soul' was part of Homelessness Action Week in Vcitoria, BC, billed as "a special evening featuring the art and music of people who have experience homelessness."
Wednesday, June 18, 2008
Saturday, October 20, 2007
Venice Show
23/10/2007 -
Canal – Ebb and Flow, is a sculpture installation at Associazione Culturale Spiazzi by Debora Alanna. The work is about a concept of passage, and the oscillation between waning energy and fluidity in uninterrupted movement of conscious and unconscious thought. Inspired by the wake from the vapporetti, and gondolas on the canals of Venice, the movement of the boats breaking the water‘s stillness, unrelenting, moving forward distorting surfaces; the water remains unchallenged. The canal holds all surface warps and entwining penetrations, and remains an unaffected system, a way to and from somewhere. Coming or going, the surface is thrust into undulating forms. The work is a steadfast concentration on forms that do not fluctuate, that are statuesque, in that they impose stillness upon the viewer, requiring concerted enquiry. There is no geography or architecture to give it reference. This work is about movement, but does not move. It is ceremonious as a meditative offering, discovering form and content, allowing the undulations of ebbs and flows to be still for sustained viewing. The canal is the emotional space that is created by the expectant forms that have optimistically emerged as sculpture. d_alanna@yahoo.caper saperne di più sul lavoro di Debora AlannaGli eventi sono organizzati in collaborazione con il Comune di Venezia – Assessorato alla Produzione Culturale/ Cultura e Spettaco Associazione Culturale Spiazzi Castello 386530122 Venezia infospiazzi@libero.itwww.spiazzi.info Tel. +39 041 5239711
Creating Quality of Being... d_alanna@yahoo.ca
Embellish4art Canal: Ebb and Flow
Exhibition of Sculpture Friday, 26th of October, 2007 6pm
Debora Alanna
Ass.ne Culturale Spiazzi, VeneziaCanal - Ebb and Flow - Canale - Flusso e Riflusso Istallazione dell‘artista canadese Debora Alanna nella corte interna di SpiazziDal 26 Ottobre al 21 Novembre - Vernissage venerdì 26 Ottobre alle 18.30Un’installazione dell’artista canadese Debora Alanna. Il lavoro esplora il concetto di passaggio, e l’oscillazione fra il descrescere dell’energia e la fluidità in un ininterrotto movimento fra pensiero conscio ed inconscio. Tutto prende ispirazione dalla scia che le barche lasciano sui canali veneziani, quel movimento che provoca una “rottura” nell’immobilità dell’acqua, che sposta e distorce la sua superficie; un’acqua che anche se provocata non accetta la sfida. Il canale trattiene tutto l’intreccio simile ad un ordito che vi si specchia mantenendo però la sua pura inalterabilità, una via per e da qualche parte. Da o verso la superficie viene spinta nella direzione delle forme ondulate.Il lavoro è una concentrazione costante di forme non fluttuanti, statuarie, in questo esse svelano a colui che le guarda nella loro immobilità.Non c’è alcun riferimento alla geografia o all’architettura. Questo è un lavoro sul movimento ma non si muove. E’ come se scaturisse da un’offerta cerimoniale, che scopre forma e contenuto e che permette alle ondulazioni del flusso e riflusso di placarsi davanti ad un intenso sguardo. Il canale può considerarsi lo spazio emozionale che si crea dalle speranzose forme che ottimisticamente emergono e diventano scultura.
Canal – Ebb and Flow, is a sculpture installation at Associazione Culturale Spiazzi by Debora Alanna. The work is about a concept of passage, and the oscillation between waning energy and fluidity in uninterrupted movement of conscious and unconscious thought. Inspired by the wake from the vapporetti, and gondolas on the canals of Venice, the movement of the boats breaking the water‘s stillness, unrelenting, moving forward distorting surfaces; the water remains unchallenged. The canal holds all surface warps and entwining penetrations, and remains an unaffected system, a way to and from somewhere. Coming or going, the surface is thrust into undulating forms. The work is a steadfast concentration on forms that do not fluctuate, that are statuesque, in that they impose stillness upon the viewer, requiring concerted enquiry. There is no geography or architecture to give it reference. This work is about movement, but does not move. It is ceremonious as a meditative offering, discovering form and content, allowing the undulations of ebbs and flows to be still for sustained viewing. The canal is the emotional space that is created by the expectant forms that have optimistically emerged as sculpture. d_alanna@yahoo.caper saperne di più sul lavoro di Debora AlannaGli eventi sono organizzati in collaborazione con il Comune di Venezia – Assessorato alla Produzione Culturale/ Cultura e Spettaco Associazione Culturale Spiazzi Castello 386530122 Venezia infospiazzi@libero.itwww.spiazzi.info Tel. +39 041 5239711
Creating Quality of Being... d_alanna@yahoo.ca
Embellish4art Canal: Ebb and Flow
Exhibition of Sculpture Friday, 26th of October, 2007 6pm
Debora Alanna
Ass.ne Culturale Spiazzi, VeneziaCanal - Ebb and Flow - Canale - Flusso e Riflusso Istallazione dell‘artista canadese Debora Alanna nella corte interna di SpiazziDal 26 Ottobre al 21 Novembre - Vernissage venerdì 26 Ottobre alle 18.30Un’installazione dell’artista canadese Debora Alanna. Il lavoro esplora il concetto di passaggio, e l’oscillazione fra il descrescere dell’energia e la fluidità in un ininterrotto movimento fra pensiero conscio ed inconscio. Tutto prende ispirazione dalla scia che le barche lasciano sui canali veneziani, quel movimento che provoca una “rottura” nell’immobilità dell’acqua, che sposta e distorce la sua superficie; un’acqua che anche se provocata non accetta la sfida. Il canale trattiene tutto l’intreccio simile ad un ordito che vi si specchia mantenendo però la sua pura inalterabilità, una via per e da qualche parte. Da o verso la superficie viene spinta nella direzione delle forme ondulate.Il lavoro è una concentrazione costante di forme non fluttuanti, statuarie, in questo esse svelano a colui che le guarda nella loro immobilità.Non c’è alcun riferimento alla geografia o all’architettura. Questo è un lavoro sul movimento ma non si muove. E’ come se scaturisse da un’offerta cerimoniale, che scopre forma e contenuto e che permette alle ondulazioni del flusso e riflusso di placarsi davanti ad un intenso sguardo. Il canale può considerarsi lo spazio emozionale che si crea dalle speranzose forme che ottimisticamente emergono e diventano scultura.
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