Thursday, October 25, 2007

Frumpy Mood

I now remember why I am not a painter. Having to 'waterproof' my work for the show tomorrow is a nightmare. First, the original colour I chose, the colour of Texas cream limestone, I thought, dried differently than the swatch in the store. So back to the store to get marine white.

Just waiting for paint to dry, when a very heavy object fell. One of the pieces mysteriously found its way to the floor. Emergency repair job. Spray some white into the centres, where the brush wouldn't go in the first coat. Now I can't breath in the room - and waiting for the second misting. Still have to measure/design the stands... for the 2 architects coming a 8pm to help me cut wet wood, donated to me by the gallery because- they were going to throw it out anyway.

Very tired - working from 6 or 7 to 22 or 23. And tomorrow I have to cook for the invitees - still don't know how many to cook for. First come - will have a taste... More painting now... Harumph.

Saturday, October 20, 2007

Venice Show


Venice Show

23/10/2007 -

Canal – Ebb and Flow, is a sculpture installation at Associazione Culturale Spiazzi by Debora Alanna. The work is about a concept of passage, and the oscillation between waning energy and fluidity in uninterrupted movement of conscious and unconscious thought. Inspired by the wake from the vapporetti, and gondolas on the canals of Venice, the movement of the boats breaking the water‘s stillness, unrelenting, moving forward distorting surfaces; the water remains unchallenged. The canal holds all surface warps and entwining penetrations, and remains an unaffected system, a way to and from somewhere. Coming or going, the surface is thrust into undulating forms. The work is a steadfast concentration on forms that do not fluctuate, that are statuesque, in that they impose stillness upon the viewer, requiring concerted enquiry. There is no geography or architecture to give it reference. This work is about movement, but does not move. It is ceremonious as a meditative offering, discovering form and content, allowing the undulations of ebbs and flows to be still for sustained viewing. The canal is the emotional space that is created by the expectant forms that have optimistically emerged as sculpture. d_alanna@yahoo.caper saperne di più sul lavoro di Debora AlannaGli eventi sono organizzati in collaborazione con il Comune di Venezia – Assessorato alla Produzione Culturale/ Cultura e Spettaco Associazione Culturale Spiazzi Castello 386530122 Venezia infospiazzi@libero.itwww.spiazzi.info Tel. +39 041 5239711

Creating Quality of Being... d_alanna@yahoo.ca

Embellish4art Canal: Ebb and Flow
Exhibition of Sculpture Friday, 26th of October, 2007 6pm
Debora Alanna



Ass.ne Culturale Spiazzi, VeneziaCanal - Ebb and Flow - Canale - Flusso e Riflusso Istallazione dell‘artista canadese Debora Alanna nella corte interna di SpiazziDal 26 Ottobre al 21 Novembre - Vernissage venerdì 26 Ottobre alle 18.30Un’installazione dell’artista canadese Debora Alanna. Il lavoro esplora il concetto di passaggio, e l’oscillazione fra il descrescere dell’energia e la fluidità in un ininterrotto movimento fra pensiero conscio ed inconscio. Tutto prende ispirazione dalla scia che le barche lasciano sui canali veneziani, quel movimento che provoca una “rottura” nell’immobilità dell’acqua, che sposta e distorce la sua superficie; un’acqua che anche se provocata non accetta la sfida. Il canale trattiene tutto l’intreccio simile ad un ordito che vi si specchia mantenendo però la sua pura inalterabilità, una via per e da qualche parte. Da o verso la superficie viene spinta nella direzione delle forme ondulate.Il lavoro è una concentrazione costante di forme non fluttuanti, statuarie, in questo esse svelano a colui che le guarda nella loro immobilità.Non c’è alcun riferimento alla geografia o all’architettura. Questo è un lavoro sul movimento ma non si muove. E’ come se scaturisse da un’offerta cerimoniale, che scopre forma e contenuto e che permette alle ondulazioni del flusso e riflusso di placarsi davanti ad un intenso sguardo. Il canale può considerarsi lo spazio emozionale che si crea dalle speranzose forme che ottimisticamente emergono e diventano scultura.

Tuesday, October 16, 2007

Canal








The reason for this title, besides the obvious geographical reference, is the concept of passage, and the oscillation between waning energy and fluidity in uninterrupted movement of conscious and unconscious thought. The wake from the vapporetti, the movement of the gondolas breaking the water's stillness, unrelenting, moving forward with surfaces changed, but the water remains unchallenged.
The canal contains all penetration, and remains a way to and from somewhere. Coming or going, the surface is thrust with undulating forms. This is where the inspiration for my series here comes from.


But this is more than living in Venice, and observing its functionality. The work demands a steadfast concentration on forms that do not fluctuate, that are statuesque, in that they impose upon the viewer, requiring concentrated evaluation. In the video barrage of contemporary culture, this act of concentrated viewing may be unfamiliar. There are no buildings to give it reference, such as the statues on cathedrals or cherubs on ceilingwork.
This work is about movement, but does not move. It is ceremonious as a meditative offering, discovering form and content, allowing the undulations of ebbs and flows to be still for sustained viewing.









http://www.thefreedictionary.com/ebb

http://www.thefreedictionary.com/flow